As condos rise near the bay, can city
handle the growth?
High-rise condo builders are rushing to Edgewater,
adding to Miami's skyline as well as fostering worries
about whether the neighborhood can handle all the
attention.BY MICHAEL VASQUEZ
When Joel and Michelle Rodriguez bought their first
apartment building in Edgewater, the once grand Miami
neighborhood was a gritty place that few thought
desirable.
''We basically evicted everybody in the building,'' Joel
Rodriguez recalled. ``It was just prostitutes and drug
dealers.''
Nearly a decade later, Edgewater is being marketed to
millionaires. High-rise condos with trendy one-word
names like Onyx and Quantum and Cité are steadily rising
along the area between Biscayne Boulevard and the bay,
from Interstate 395 northward to the Julia Tuttle
Causeway.
As luxury towers take over the Miami skyline, no
neighborhood is undergoing the nearly complete overhaul
that Edgewater is experiencing. Lured by scarce bayfront
land and a prime location within walking distance of the
new Performing Arts Center, condo developers are rushing
in, building gleaming modern high-rises next to old
Florida bungalows.
The transformation promises to boost the city's tax
rolls and bring much-needed retail outlets to the area.
Developers now sell Edgewater as a yuppie paradise, with
a night at the opera or an art gallery opening only a
short stroll away.
But Edgewater's narrow roads are ill-equipped to handle
two-way traffic, and some residents worry that thousands
of new condo buyers, even if they live there only part
time, would create instant gridlock. The new development
also would stamp out what remains of Edgewater's
historic Old Florida charm, critics fear.
City leaders promise they are taking steps to get
Edgewater ready for its radical makeover -- working to
install a nearby streetcar line, conducting a citywide
master planning process to help new buildings mesh with
the old, and encouraging condo builders to add roads to
Edgewater's traffic grid.
It's too soon to tell whether Edgewater will become an
attractive urban landscape or a dysfunctional
hodgepodge.
City Commissioner Johnny Winton, who represents
Edgewater, acknowledges that traffic is a potential
problem. ''The math doesn't look good to me,'' Winton
said.
Local architect and University of Miami associate
research professor Allan Shulman calls Edgewater's
building craze ''the opportunity of a generation'' but
says the city lacks a road map to guide it.
''There is no real cohesive vision yet,'' he said. ``And
yet, the developments are coming in fast and furious.''
The seed of the building craze goes back to the 1980s, a
dark, crime-infested period for Edgewater, one of
Miami's first suburbs, which had been in decline for
decades as residents fled the urban core to newer,
farther-out suburbs.
In a near-desperate attempt to woo new investment, the
City Commission liberalized zoning rules in 1982,
effectively encouraging high-rise development.
CONDO-FRIENDLY LAWS
It wasn't until recently that builders began to take
full advantage of those condo-friendly laws, drawn by
acres of now rare waterfront land with beautiful bay
views. With the arts center scheduled to open in the
fall of next year, some developers have nicknamed the
neighborhood ``the performing arts district.''
Winton -- pointing to the renaissance of historic
neighborhoods across Miami -- said that if strict
guidelines protecting its small-scale character had
remained, Edgewater could have become less like
tower-laden Brickell and more like Morningside, a Miami
neighborhood of meticulously restored old homes and
low-rise apartment complexes.
It's too late for that now, and Edgewater's few
remaining historic single-family bungalows face an
uncertain future. Meanwhile, the conflict between
desiring the New Miami and wanting to protect Old Miami
has played itself out in disputes over individual
projects.
Two years ago, developers razed the 1916 Alonzo Bliss
house -- an architecturally eclectic Edgewater home that
boasted a full basement, rare in South Florida.
Developer and property owner Henry Harper tore the house
down while city preservationists were trying to save it,
a move that infuriated neighbors and historians.
The building was decayed beyond repair, Harper said, and
would never be worth what he paid for the land, given
the shifting identity of the neighborhood.
`OLD-HOUSE LOVER'
''I'm an old-house lover. . . . I own an 1802 colonial
home in Vermont. But I wouldn't want my 1802 next to a
giant building,'' Harper said. ``You need to tear down
all those single-family homes -- unless you want it to
be a museum -- and let it be what it's going to be. You
can't turn back time.''
In place of the Bliss house will be Onyx 2, a luxury
condo with amenities such as a private movie theater, a
wine cellar and a two-story lobby designed by architect
Michael Graves.
''A slender and beautiful 49-story circular tower of
glass, shaped like a beacon,'' is how Willy Bermello,
whose BAP Development is co-building the project,
describes Onyx 2. The building, he wrote to The Herald,
will ''serve as a beautiful landmark for the emerging
upscale neighborhood Arts District.'' The project was
designed to avoid blocking views; it also will provide
various street and landscaping improvements to the area.
At the time the building went before city commissioners
for approval, several residents argued that the project
was out of proportion to the neighborhood.
One, Dana Murphy, fought to scale down the building,
even showing up at City Hall armed with a detailed
presentation and legal documents casting doubt on the
developers' right to build.
''They're putting these condominiums on streets that
don't even make sense,'' Murphy said.
Winton said he will not try to stop the current wave of
condos, which he said was brought on in part by
neighborhood activists who decades earlier supported
looser zoning laws.
''There's a real fairness issue here,'' Winton said.
``The community made their decision a long time ago.''
EARLIER CHANGES
Even before the new zoning, local historian Paul George
said, the damage to Edgewater was already irreversible:
Countless stately manors from the glory days of the
early 1900s had long since been torn down.
George recalls marveling at Edgewater's character when
he was a child in the 1950s.
''They had open porches, they were wood frames, they had
these wonderful pillars,'' he said. ``It was just
magnificent.''
Nine years after he and his wife bought their first
Edgewater apartment building, landlord Joel Rodriguez
still hopes the area can be awe-inspiring once again. He
is cautiously optimistic about its chances.
''If all these new buildings actually get built, and
owner occupants actually buy these units instead of
investors, then you'll have people walking down the
street every day,'' predicted Rodriguez, who now owns a
boutique realty company specializing in Edgewater
properties.
``I've always wanted that.'' |